Damian McManus, Repetition, parallelism and antonymous verbal phrases in Early and Classical Modern Irish, Ériu, 72, 2022, p167 - 222,
Notes: [This paper investigates parallel antonymous phrases using finite verbs as opposed to nouns and adjectives. The paper touches on various rhetorical devices including lexical and morphological antonymy, asyndetic parallel phrasing, parallel and antithesis, and paradox in Irish from Early to Classical, but its main focus is the inclusive and exclusive antonymous verbal phrase in Early Irish and in Classical Irish verse.],
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Damian McManus, 'Identification copula clauses with substantives of different gender in Early and Classical Irish' , North American Journal of Celtic Studies, 4, (2), 2021, p30 pages ,
Notes: [This paper investigates identification copula clauses of the Old-Irish type Críst didiu is sí in chathir, 'Christ then, he is the city', Middle Irish iss é mo lennan é, 'he is my beloved' and Classical Irish mo theanga is é m'arm-sa í, 'my tongue is my weapon'. It argues that the pronoun following the copula in such phrases is a mere shoehorn to the following defined substantive, that the iss é mo lennan é type should not be classified under the rubric 'repetition of the pronoun', as is often done, but rather as a pronoun-subject construction analogous to other emerging pronoun-subject constructions with active and passive verbs in Middle Irish, and it seeks to explain why the construction mo theanga is é m'arm-sa í, with different gender in the substantives, is more likely to be encountered in Classical verse than the type with the one gender],
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Ériu, 70, (2020), Damian McManus, Mícheál Hoyne, [Joint editor], fifteen years,
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Damian McManus, 'Binomial phrases, dvandva compounds and the house in which Cú Chulainn was born', Ériu, 70, 2020, p30 pages ,
Notes: [This paper investigates merismatic binomial phrases in Irish and links these to dvandva compounds, describing the latter as the most intimate linguistic collocation of such binomials. The paper presents a selection of these collocations and compounds framed in a discussion of the house in which Cu Chulainn was born, described in the oldest witness as a tech cen bratt cen biad 'a house offering neither food nor shelter'. ],
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joint editor, Ériu 69, Dublin, Royal Irish Academy, 2019,
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Damian McManus, 'Early Modern Irish miscellanea', Ériu, 69, 2019, p155 - 170,
Notes: [The paper investigates three matters: (1) the DIL headword nemdaid 'a dweller in Heaven'; it is argued that this is a ghsotword, the correct reading in the one instance of it being neamhdháigh 'unlikely'; (2) the generic use of the definite article, as in Ó hEódhasa's an bhean 'all women'; (3) the dropping of the n of the definite article before consonants in certain specified sequences in Early Modern Irish manuscripts.],
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Multiple authors, Ériu, Dublin, Royal Irish Academy, 2018,
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Damian McManus, Celebrating the canine ii: the hunt in medieval Ireland with special reference to the evidence of Classical Irish poetry, Ériu, 68, 2018, p145-192 ,
Notes: [This paper investigates the nature of the hunt in Medieval Ireland. It confirms from the evidence of Fianaigecht material backed up by contemporary Classical Irish poetry that the hunt was in the nature of a drive and ambush rather than a chase, that two types of hound were used in the hunt, the gadhair to drive the quarry from its covert and the coin to drive them to the site of ambush, that this practice was common in Scotland as well as in continental Europe at the time, and that the deployment of the hunt was an important part of the training of a young nobleman in Ireland. ],
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joint editor, Ériu 67, vol 67, Dublin, Royal Irish Academy, 2017,
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Fault-finding in the Grammatical Tracts in, editor(s)Gordon Ó Riain , Dá dtrian feasa fiafraighidh; essays on the Irish grammatical and metrical tradition, Dublin, Dublin Institute for Advanced Studies, 2017, pp199 - 231, [Damian McManus],
Notes: [The late medieval Irish Grammatical and Syntactical tracts, which provide the most detailed linguistic analysis of a European vernacular language in their time, cite over four thousand couplets from the cream of Bardic poetry composed in the period from 1200 to 1450. Most of these citations illustrate the correct use of language but over three hundred are deemed faulty. This paper investigates the faults and seeks to explain what could give rise to them in such a regulated system. ],
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