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Dr. Rachel Moss

Associate Professor (History Of Art)
ARTS BUILDING


  Architecture History   Insular Art   Medieval Building technologies   Medieval Ireland   Medieval Sculpture   Restoration and Preservation   Romanesque art and architecture
 Monastic Ireland: Landscape and Settlement
 TCD Irish Gospel Books Project
 Royal Irish Academy Art and Architecture of Ireland project
 Reconstructions of the Gothic Past
 Monastic Ireland

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Details Date
Member, Fabric committee, Christ Church Cathedral, Dublin 2021-
Member of Editorial Board, Journal of Irish Heritage Studies
Member, Board of the Science Gallery Dublin 2016-2020
President, Royal Society of Antiquaries of Ireland 2013-2017
Member, Irish Committee for Historical Sciences 2015-2017
Member of Directorate, Discovery Programme (Heritage Council nominee) 2011-2015
Board member, Irish Architectural Archive (ministerial nominee) 2000-2005
Council member, Royal Society of Antiquaries of Ireland 2007 -2011
Steering committee member, Mapping the Practice and Profession of Sculpture 1851-1951 project 2009-2011
Steering committee member, Corpus of Romanesque Sculpture in Britain and Ireland Project 2002-13
Language Skill Reading Skill Writing Skill Speaking
Italian Fluent Medium Medium
Details Date From Date To
Fellow, Society of Antiquaries (London)
Fellow, Royal Society of Antiquaries of Ireland
Member, International Centre for Medieval Art
Member, Irish Association of Art Historians
Rachel Moss and Heather Pulliam, Irish and Scottish Art, c. 900-1900: Survivals and Revivals, Edinbugh, Edinburgh University Press, 2024, 1 - 322pp, Book, IN_PRESS
Idolatry, ignominy, and iconoclasm: Irish public monuments 1540-1700 in, editor(s)Paula Murphy and Colleen M. Thomas , Ireland: The Matter of Monuments, Liverpool, Liverpool University Press, 2024, pp43 - 60, [Rachel Moss], Book Chapter, PUBLISHED  URL
Introduction: Relics, Revivals and Replicas in the Gaelic World in, editor(s)Rachel Moss and Heather Pulliam , Irish and Scottish Art, c. 900-1900: Survivals and Revivals, Edinburgh, Edinburgh University Press, 2024, pp1 - 6, [Rachel Moss and Heather Puliam], Book Chapter, IN_PRESS
Art, Belief and Politics in Scotland and Ireland c.500-c.1900 in, editor(s)Rachel Moss and Heather Pulliam , Irish and Scottish Art, c. 900-1900: Survivals and Revivals, Edinburgh, Edinburgh University Press, 2024, pp7 - 37, [Rachel Moss and Heather Pulliam], Book Chapter, IN_PRESS
Remaking the Gaelic Christian Landscape: Devotion, Iconoclasm and Tourism in Post-Reformation Ireland and Scotland in, editor(s)Rachel Moss and Heather Pulliam , Irish and Scottish Art, c. 900-1900: Survivals and Revivals, Edinburgh, Edinburgh University Press, 2024, pp39 - 60, [Rachel Moss], Book Chapter, IN_PRESS
Postscript: Changing Perceptions and the Future of Insular, Gaelic and Celtic Material Culture in, editor(s)Rachel Moss and Heather Pulliam , Irish and Scottish Art, c. 900-1900: Survivals and Revivals, Edinburgh, 2024, pp289 - 293, [Rachel Moss and Heather Pulliam], Book Chapter, IN_PRESS
Rachel Moss, Copying and creativity in the art of late medieval Gaelic manuscripts, DIAS Lecture Series, March, 2024, Dublin Institute of Advanced Studies, Invited Talk, PRESENTED
Rachel Moss, `More potent than all its gold": Reliquaries and their textures through time, Texture in the Medieval World, Department of History of Art and Centre for Medieval Studies, University of York, June, 2024, Department of History of Art and Centre for Medieval Studies, University of York, Invited Talk, PRESENTED
Rachel Moss, Cong Abbey: A Palimpsest in Stone, Proceedings of the Royal Irish Academy: Archaeology, Culture, Literature, History, 124C, 2024, p1 - 39, Journal Article, PUBLISHED  URL
Rachel Moss, 'The Book of Durrow', Oxford Bibliographies in Medieval Studies, New York, Oxford University Press, 2023, -, Bibliography, filmography, etc., PUBLISHED
  

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Rachel Moss, Building Gaelic Ireland in the Late Middle Ages, Clans of Ireland Annual Clan Gathering, Stephen's Green Club, Dublin, April, 2024, 2024, Invited Talk, PRESENTED
Rachel Moss, Portraiture and politics in Irish medieval stone sculpture, Friends of the National Collections Annual Meeting, Royal Irish Academy, April, 2019, Invited Talk, PRESENTED
Susan Bioletti and Rachel Moss, Early Irish Gospel Books in the Library of Trinity College, Dublin, Trinity College Dublin, 2016, 1 - 97pp, Book, PUBLISHED
Rachel Moss, Medieval Art and Architecture of the mid-West, Medieval Limerick Lectures, Adare, Co. Limerick, November, 2015, Limerick City and County Council, Invited Talk, PUBLISHED
Rachel Moss, The Art and Architecture of Medieval Ireland, Crawford Lecture Series, Crawford Gallery, Cork, March, 2013, Crawford Gallery Education Department, Invited Talk, PRESENTED
Rachel Moss, Dublin Ironwork and the Georgian Society Records, Irish Georgian Society Lectures, Dublin Civic Trust, Castle Street, October, 2013, Irish Georgian Society, Invited Talk, PRESENTED
Rachel Moss, The Royal Society of Antiquaries of Ireland, Royal Historical Society Newsletter, 12, (October), 2013, p4 - 5, Journal Article, PUBLISHED
Rachel Moss and Yvonne Scott, The Provost's House Stables and Environs, Trinity College Dublin, Dublin, TRIARC and Associated Editions, 2008, 1 - 93pp, Book, PUBLISHED
St Patrick's Well in, editor(s)Yvonne Scott and Rachel Moss , The Provost's House Stables and Environs, Trinity College Dublin, Dublin, TRIARC and Associated Editions, 2008, pp73 - 83, [Rachel Moss], Book Chapter, PUBLISHED
Rachel Moss, Building for God: Church Architecture in Medieval Ireland, Hunt Museum Lectures, Hunt Museum, Limerick, April, 2008, Invited Talk, PRESENTED

  

Award Date
Elected Fellow of Trinity College DUblin 2022
Elected President, Royal Society of Antiquaries of Ireland 2013
Elected Fellow of the Society of Antiquaries (London) 2011
My research focusses on the material culture of medieval Ireland and I have done much to expand the field of scholarship by examining buildings, manuscripts and other arts through various lenses. These have included gender, politics, digital technologies, historiography and modern reception. Underpinning these research strands is by my interest in the intellectual aspects of past societies and the development of theoretical frameworks and methodologies to interpret a distinctive art and architecture that eschews much of the traditional canon of art history, and informs broader fields, such as religious and economic history. My leading role in the discipline is indicated by my contribution of the first volume to the seminal five-volume reference series Art and Architecture of Ireland series (Yale UP, 2014) and invitation to contribute the material culture chapter to the Cambridge History of Ireland, vol. 1 (Cambridge UP, 2018). It is further demonstrated by the broad range of funding and peer-reviewed outputs detailed below. My current research centres on the extended biographies of medieval buildings and objects. My-co-leadership of a Scottish-Irish research network of academics, museum and heritage professionals, funded by the Royal Edinburgh Society, has culminated in a significant publication (EUP, 2024). This presents a major revision of traditional scholarship on shared Gaelic visual culture over 1,000 years and proposes a new framework for future scholarship and public display. In addition, a recent article (PRIA, 2024) and continuing work on a significant monograph developed from my IRC-funded Medieval Monastic Ireland project, confirms the imperative of understanding the entire multi-century structural sequence of medieval `ruins" and their contribution to knowledge of social change, from the local to international context. In summary, my research engages innovative methodologies and is notable for its anthropological and interdisciplinary approaches. It is internationally respected, widely cited, and has regularly attracted research funding.