Basaraba, Beyond Creating Collections: A Scoping Review of 3D Heritage Storytelling, Digital Humanities in the Nordic and Baltic Countries 8th Conference, Reykjavik, Iceland, 27-31 May 2024, 2024,
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Nicole Basaraba, Digital place-making through narratives of hybrid cultural heritage in Europe, GCSC - Giessen Contributions to the Study of Culture, Vol. 18, Cultural Identities in a Global World: Reframing Cultural Hybridity, Giessen, Germany, 23-25 June 2021, edited by Laura Popa and Roeland Goorts , 18, Wissenschaftlicher Verlag Trier, 2024, pp257 - 272,
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Basaraba, Nicole and Cauvin, Thomas, Public history and transmedia storytelling for conflicting narratives, Rethinking History: The Journal of Theory and Practice, 27, (2), 2023, p221 - 247,
Notes: [https://doi.org/10.1080/13642529.2023.2184969],
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Basaraba, Nicole, The rise of paranormal investigations as virtual dark tourism onYouTube, Journal of Heritage Tourism, 2023, p1 - 23,
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Nicole Basaraba, Transmedia Narratives for Cultural Heritage, 2022,
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Nicole Basaraba, Cross-comparing the Concept of "United in Diversity" as Expressed by European Capitals of Culture, Journal of Intercultural Communication Research, 2022, p1--22 ,
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Nicole Basaraba, A bottom-up method for remixing narratives for virtual heritage experiences, Convergence: The International Journal of Research into New Media Technologies, 2022,
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Nicole Basaraba, Nicole Basaraba, Jennifer Edmond, Owen Conlan, Peter Arnds, A Data-Driven Approach to Public-Focused Digital Narratives for Cultural Heritage, The Palgrave Handbook of Digital and Public Humanities, 2022, p337--356 ,
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Basaraba, N., Edmond, J., Conlan, O., Arnds, P., A Data-Driven Approach to Public-Focused Digital Narratives for Cultural Heritage, The Palgrave Handbook of Digital and Public Humanities, 2022, p337-356 ,
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Michelle Doran, Nicole Basaraba, Jennifer Edmond, Vicky Garnett, Courtney Helen Grile, Eliza Papaki, and Erzsébeth Toth-Czifra, Scholarly Primitives of Scholarly Meetings: A DH-Inspired Exploration of the Virtual Incunabular in the Time of COVID 19, Digital Humanities Quarterly (DHQ), 2022,
Notes: [This article documents the theoretical and practical considerations underpinning the COVID-19-inspired digital humanities event: "The Scholarly Primitives of Scholarly Meetings." Drawing from both the long tradition of work on scholarly primitives as well as the rush of new work that appeared in the early months of 2020, the event described here was designed as both an exercise in critical making and a response to the constraints of the virtual incunabular state so many organisations found themselves in, attempting to recreate their planned face-to-face meetings in virtual formats without due consideration of the affordances and constraints of each context. As a structurally distributed organisation, the DARIAH European Research Infrastructure as event host was able to bring its experience of virtual interaction to the recosideration of these challenges, but also the sensitivity to research processes and practices that is central to our positioning in the digital humanities. As such, the resulting model for a virtual event, realised in May 2020 and described in this paper, was built upon a very self-conscious set of considerations, meta-reflection, and goals regarding what we might tacitly and could expect from a virtual event. The instruments designed to deliver this, as well as their performance in practice, is documented alongside consideration of what lessons the experience delivers about both virtual meetings and more generally about the interactions of scholarly communities.],
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