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Dr. James Mc Glynn

Teaching Fellow (Drama)
      
Profile Photo

Dr. James Mc Glynn

Teaching Fellow (Drama)

 JAMES.MCGLYNN@tcd.ie

 


James Denis Mc Glynn is a scholar of music and sound in film, television, and a variety of digital media contexts. His specialist interests include the rearrangement of pre-existing music, film/TV adaptations, video game music, and algorithmic culture. He is currently a Research Fellow in Screen Studies at Trinity College Dublin, where he is part of the Irish Research Council Laureate Award project (2022-2026) "From Cinematic Realism to Extended Reality" led by Dr. Jennifer O'Meara. His doctoral thesis, completed in 2020, explores the rearrangement of pre-existing music in recent film and television scores. His recent research outputs include publications in The Journal of Popular Music Studies, Music and the Moving Image, The Journal of Sound and Music in Games, and the anthology After Midnight: Watchmen After Watchmen. His forthcoming publications include chapters in The Oxford Handbook of Music and Television and The Oxford Handbook of Music, Sound and Trauma Studies.
  Film Music   film sound, dialogue, music   Film Studies   Media Arts   Television
Details Date From Date To
Society for Musicology in Ireland (SMI): National Council member and Hon. Membership Secretary (2022 - present) 2020 present
Society For Cinema and Media Studies (SCMS) 2021 2022
Society for the Study of Sound and Music in Games (SSSMG) 2023 present
American Musicological Society (AMS) 2021 present
Sonic Scope: New Approaches to Audiovisual Culture - Editorial board member 2020 present
Émergence·s (journal) - Editorial Board member 2023 present
"Scoring Trauma: Musically Representing Repressed Trauma in 21st -Century Television Dramas" in, editor(s)Erin Brooks, Michelle Meinhart and Jillan Rogers , The Oxford Handbook of Music, Sound, and Trauma Studies, New York, Oxford University Press (forthcoming), 2026, [James Denis Mc Glynn], Book Chapter, ACCEPTED
"Cantor Mortis: Singing Bodies, Pre-existing Music, Death and Life in Swiss Army Man (2016)" in, editor(s)Kate Galloway, Katherine Reed and Reba Wissner , Adaptation, Rearrangement, and Music Across Screen Media, New York, Routledge (forthcoming), 2025, [James Denis Mc Glynn], Book Chapter, ACCEPTED
"Scoring TV Adaptations: From the Silver Screen to the Small Screen" in, editor(s)James Deaville, Ronald Rodman and Jessica Getman , The Oxford Handbook of Music in Television, Oxford, Oxford University Press (forthcoming), 2025, [James Denis Mc Glynn], Book Chapter, ACCEPTED
"The Adaptation of Akira Yamaoka's music from the Silent Hill series (1999-2004) in Christophe Gans' Silent Hilll (2006)" in, editor(s)Richard Anatone and Andrew S. Powell , Remedial Storytelling: The Convergence and Divergence of Music in Video Games and Film, New York, Routledge (forthcoming), 2025, [James Denis Mc Glynn], Book Chapter, ACCEPTED
James Denis Mc Glynn, "Scoring Synthetic Media: Library Music in the Viral 'A.I. Film' Trend", Emerging Media: Technology, Industry and Society, 2025, Journal Article, ACCEPTED  DOI  URL
James Denis Mc Glynn, "The 'Cinematic Promise' of Video Game Music: Stylistic Convergence, Current-Generation Remakes and the Case of Final Fantasy VII", Journal of Sound and Music in Games, 4, (4), 2023, Journal Article, PUBLISHED  DOI
Stefan Greenfield-Casas and James Denis Mc Glynn, "'We are what they grow beyond': Visions (and Sounds) of a Transnational Star Wars", 2023, -, Miscellaneous, ACCEPTED  URL
"The Adaptation of Narrative and Musical Source Material in HBO's Watchmen" in, editor(s)Drew Morton , After Midnight: Watchmen after Watchmen, Jackson, MS, University Press of Mississippi, 2022, pp199 - 215, [James Denis Mc Glynn], Book Chapter, PUBLISHED  DOI  URL
James Denis Mc Glynn, "Revisiting Vangelis: Sonic Citation and Narration in the Score for Blade Runner 2049 (2017)", Sonic Scope: New Approaches to Audiovisual Culture, 2020, Journal Article, PUBLISHED  DOI  URL
  

James Denis Mc Glynn, "Narrativizing Virtual Spectatorship: A Case Study on Virtual Concerts", The 21st Annual Irish Screen Studies Seminar, Maynooth University, 21 May, 2026, Conference Paper, PUBLISHED
James Denis Mc Glynn, "(Post)human After All: Virtual Concerts, Interactive Autofiction, and Daft Punk's 'Immersive Playground'", Music and the Moving Image XXII, NYU Steinhardt, 29 May, 2026, Conference Paper, PUBLISHED
James Denis Mc Glynn, "Performance or Playground: Virtual Concerts as Themed Experiences and Transmedial Autofiction", Sonic Cartographies: Mapping Music and Sound in Theme Parks, Royal Holloway, University of London, 20 June, 2026, Conference Paper, PUBLISHED
James Denis Mc Glynn, "Daft Punk's 'Immersive Playground': Narrativizing Concert Experiences in Virtual Spaces", Directions and Aesthetics of the Digital Era: Music and Media XVII (International Musicological Society), University College Dublin, 11 June, 2026, Conference Paper, PUBLISHED
James Denis Mc Glynn, "Posthuman Soundtracks: Screen Scoring and Popular Music in the Age of Synthetic Media", Senior Common Room Research Salon Talk Series, Trinity College Dublin, 17 April, 2025, Conference Paper, PUBLISHED
James Denis Mc Glynn, "Theorising Music and Sound in Aleatoric Filmmaking: The Case of Eno (dir. Hustwit 2024)", Music and the Moving Image XXI, NYU Steinhardt, 30 May, 2025, Conference Paper, PUBLISHED
James Denis Mc Glynn, "Music and Sound in Algorithmic Filmmaking", Annual Plenary Conference of the Society for Musicology in Ireland, University College Dublin, 21 June, 2025, Conference Paper, PUBLISHED
James Denis Mc Glynn, "Democratising Screen Music Studies through Videographic Criticism", Presentational Technologies in Music and Screen Media Research and Pedagogy, Music and Media Study Group, Virtual Symposium, 7 Aug, 2025, Conference Paper, PUBLISHED
James Denis Mc Glynn, "Audiovisualising Eno: Musicalised Film Form in Dawes and Hustwit's 'Generative Documentary'", The Inaugural Danijela Kulezic-Wilson Memorial Symposium, University College Cork, 17 Oct, 2025, Conference Paper, PUBLISHED
James Denis Mc Glynn, "The 'Generative' Music Documentary: The Algorithmic Audiovisuality of Aleatoric Filmmaking", Algorithmic Audiovisualities: Music and Media in the Age of AI, Universidade Nova de Lisboa, 14 Nov, 2025, Conference Paper, PUBLISHED

  


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Award Date
Excellence Scholarship (PhD), CACSSS, University College Cork 2017-20
Rev. Liam Swords Foundation Bursary 2018, Centre Culturel Irlandais (Paris, FR) 2018
1st Prize, 11th CHMHE/ICTM Undergraduate Musicology Competition 2018
Staf Gebruers Memorial Prize 2017 2017
The Mary V. Hart Memorial Prize in Music 2017
Global Undergraduate Awards, Highly Commended 2016
UCC College Scholar award (highest score in degree year) 2016
Quercus Creative & Performing Arts Scholarship 2015-17
UCC College Scholar award 2015
National University of Ireland (NUI) Award 2014
UCC College Scholar award 2014